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'Threshold' opens at The Arts Center

Sculpture exhibit
The sculpture work of Patrick Luber is on display at The Arts Center in Jamestown through mid-November. The exhibit is titled "Threshold." Submitted photo

The Arts Center is currently featuring "Threshold," an exhibit featuring the work of Patrick Luber, University of North Dakota sculpture professor. The exhibit opened Oct. 15 and will be on display through Nov. 13.

Luber addresses a variety of themes in his work. Over the span of his career, he has explored the serious and humorous intersection of religion, national identity, popular culture and folk art as they relate to American culture. His sculptures are unified by his use of referential objects as sculptural form, especially familiar objects such as beds, books, architectural forms or liturgical objects. Through the manipulation and combination of these ordinary objects, a visual language emerges which expresses the idiosyncratic experiment called America, he said.

“Threshold: the place or point of entering or beginning," Luber said in a statement. "Although I have worked in many different mediums and artistic modes over the years, the two things that have remained constant have been my interest in relief sculpture and various aspects of religion, especially the practice of prayer. Both relief sculpture and prayer are thresholds. "

Luber said relief sculpture’s placement on a wall locates it within the context and threshold of architecture and draws attention to the images and objects people deem important enough or worthy enough to be displayed.

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"As we shape our environment with images and objects, these things, in turn, shape us," he said. "Prayer can be thought of as a threshold too, an entry point to spiritual realms. Prayer literally intersects all aspects of culture, from health care to politics and science. As such, prayer becomes an expressive entry point for visual exploration of our idiosyncratic culture. "

He said what seems to collectively unite our culture is popular culture, and he employs various tropes to unite his interest in relief sculpture and prayer.

"Drawing upon popular culture, religious material culture, national identity, and vernacular art, I work to continue and expand upon the timeless relationship between art, religion, and spirituality," he said.

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